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LINE 2 SPOTLIGHT: The story of a concept ...

was told cosmopolitanism? It can fly, ignore it, hate it, sometimes we have only one wish, delete it. But what? It is tough. It clings. It symbolizes our urban society. He fights for recognition. It characterizes multiculturalism. Out of the ghetto is his motto, the fight healthy, its means of expression; L2M is his perfect incarnation. What eventually makes it endearing and adorable group of rappers who did not have cold feet and look across the society in which he saw in a dream to bring him other codes.

On the support of this first disc, they are four. In truth, "they" is a Pentateuch of boys in the wind, full of talent and ideas. "It's more a collective, it is a circle of friends who want to do something good in life ... ", Says the outset Trezor, lead vocal of the group. The tone is set, rarely, a sentence as short managed to say the same things with equal force. The art project that led to this musical adventure is basically the result of a human encounter that dates back about fifteen years. The real adventure for these young people began in 2000. Lifelong friends, two of them, having knocked in a multitude of projects in which they participate in the development of a few EPs, based Anonymous, their first group. After several years of survival, and because of the vagaries of life, the two men separated. But instead of being deterred, they eventually get together and decide to continue to achieve the ultimate goal of every music lover: make an album. The strength in unity, they are then used two other childhood friends: the Line of Fire collective is now on track ...

The unifying spirit ...
Line of Fire is foremost, as we said earlier, a story of men and a materialization of cosmopolitanism. The symbol of this entity is none other than Jean-Jacques Kampala, the linchpin of the group. Born in Dakar, when he was four years old in 1981, he separated from his family because his younger sister and himself were adopted by a French couple.

Fantastic parents, according to the person; they will give their children education the French lambda: kindergarten, primary school, secondary school ... Like any other young anxious to find his way after the ferry, the "cosmopolitan" is found dumped. At right, because at this age, we are still in doubt. Without much conviction, he enrolled in college, more for the pleasure of his own for himself. However, very little belief he has always been nagging the minds "operate in the field of music" convinced that there is his way. Although he had no knowledge of the industry, he holds following his instincts and began various projects resulting in mixed fortunes. His quest and thirst for learning will be met when he joined a production company in which he will continue his apprenticeship. It identifies rapidly within this structure its request: audio visual production assistant ... From there, he had the opportunity to meet artists and gain his first experience with a group of French variety. But this experience, it will record that blends natures-cons in this period were fundamentally unproductive. For he who is more roots, it was quite difficult to manage a group with which he had no such aspirations. In this lesson, he will find his vocation: Manager ... To succeed, this will further emphasize the Cartesian approach academic "to hard". And, as in a fairy tale in Africa, he finally finds grace: "The Right Place for The Right Man ..."
A few kilometers from Bourges, in a training center manager for world music, he met Fred (the other leader of L2M, ed.) The feeling soon passes, each has something the other. Experience required, however they decide to take the time to find themselves quietly soak up the spirit of the group before embarking on anything.
suitable location, he was adopted by friends of 20 years which open the doors of the collective in the same way they do. He seized his chance and quickly finds its place, it's been two years since this adventure continues, but if it had not been revealed, one would think it is since inception. That's also L2M : "openness, perseverance, self-confidence." In short, it's like a family once you're there, a family where there is neither first nor last ...

The reflection of a team ... well done

Unity is strength and it shows in "Notes Blocks", the debut album L2M . Why this album did not he entitled "Brides of life"? Simply because this is not an autobiography, but rather a therapy group where we share the same experiences. Instead of isolating himself in an intimate project, they played the card of the opening and reported their log books or travel safely after a journey of life successfully. They have therefore chosen to share a sequence of ten years, that they have mastered. Why this first issue is that Volume I, because other pieces of life are completed next.

The reflection of this work is a case for schools of journalism, because that perfect reporters of their society, members of the collective transport us L2M far fantasies straight from the imagination. They directly reflect arcane environment that our eyes lay not only through discovering information which is too often wrong. With "Street ...", I hear their flagship title, the reality of modernism transpires beyond the anecdotal and through the pun accompanying addresses the problem of communicating: the echoes of the street , the best sources of information and training on the ground, another way of perceiving the street. These
conscious rap does not fall into the easy and fictitious claim solely commercial purposes, there are also the pedigree of the collective. His speeches and texts refuse to get caught up in an arbitrary separation of the company. To all those who want to try, I advise them to listen: "Keep your flowers ...", a reflection not only for rap in the middle, but all the circles enclosed, an invitation to denounce, to abandon all the hypocrisy and other blandishments, to stop taking people for fools, demagogues to abandon the attitudes that lead to violence. Observe and describe the society in the interests of objectivity, this is a noble aspiration which we invite L2M . Do not miss this opportunity!

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Youth and Alcohol: another planet ...


In this section we have become used to explore the world of adolescence. There is clearly a pivotal time in the life of the individual where there is structure. Alcohol? Everyone knows, including children! It occupies a privileged place in society, cuisine and French culture. On the eve of the holiday season, it is necessary to pay attention to a phenomenon that seems to affect more and more young people: alcohol abuse.

Planet Saturday night ...

One Saturday evening on the Seine, I'm alpagué by a gang of youths apparently intoxicated. We'll name them Ludovic, Marion, Sarah, Thomas and Jenny * - the oldest was barely seventeen years. Around them, a graveyard of bottles of all brands - empty, others full and started ... They still want me to go buy them because they do not have that right. I'm curious to know where do they need to put your head upside down so early? Marion tells us la porte de cet alcoolisme du samedi soir : « prendre une cuite est un moyen de s'éclater avec des potes et surtout de s'affirmer, c'est de notre âge ». La réponse cinglante de la plus jeune des demoiselles est une gifle pour moi l'adulte. Bizarrement, je ne suis pas vraiment étonné. En effet, l'alcoolisme juvénile atteint désormais une population de plus en plus jeune et de plus en plus féminine. Une étude publiée en janvier 1997 parle de 17% de lycéennes françaises entre 14 et 17 ans consommant régulièrement de l'alcool ; dix ans plus tard, pour la même tranche d'âge, ce pourcentage a doublé voir triplé. Elles sont now about 47% engage in almost daily.

First, teenagers are drinking from imitation because they saw their parents do. Then Sarah , another sidekick, opens the door to his world as it is shy and reserved, using alcohol to celebrate, to be funnier and especially dredged.

Horrible usability and dangerous ...

The band, like thousands of others across Europe, finds herself on Saturdays for fun. Consumption scale very quickly in excess. This is called the binge drinking express or bun; more common in Anglo-Saxon countries - Holland, Norway, Great Britain ... It is to absorb a large amount of alcohol in a very short period of time - requires permission from midnight! The main objective is to be drunk as soon as possible. We could laugh because this alcohol on Saturday night as well horrible effects is not dangerous in itself. However, with the usual dose of alcohol increases and Saturday is no longer sufficient, times and locations of drinking will move - the enclosure of the same school will not be spared.

As Sarah and Marion, most young people justified their alcohol by the friendliness, the worries, failures, and fear. They are nevertheless aware that alcohol is a slippery slope. But they do not feel concerned by the long term. They think to stop in time. However alcohol can become a prison, a drug. It is not a friend let alone a permanent source of inspiration.

This nocturnal encounter immerse myself in a certain melancholy. Why do they drink? "To forget! "Tit for tat replica Thomas bantering. Forget what? "To forget that we are ashamed," shouts he hanging his head. Ashamed of what? I was trying to understand who wish, in a reflex of paternalism, to rescue them. "Ashamed of drinking! "He finally trust me, while insisting that I go with vulgarity to buy them a drink at the local grocer.

damage hello!

We can consider the binge drinking as an indicator of alcohol consumption problem. It means a willingness to transgress the law. This mode of consumption and behavioral disorders associated with it are the main cause of social dangerousness of alcohol: loss of control, violent and impulsive behavior (fights, physical, moral or sexual) ... In addition to violence, there are serious medical complications: acute poisoning, respiratory disorders, trauma, alcoholic coma and in some exceptional cases, death.

So dear friends, eat in moderation. Think about tomorrow because these excesses can also damage the long-term brain.

* Names have been to ensure the anonymity and privacy of minors.

STAR INFO / No. 7 December 2008

Adult Film Star Pinky Appearances

Danny Glover: his fatal weapon, the black power ...

At the Paris launch of the first screening of the film club dedicated to cinema from Africa, the Caribbean and the American Diaspora, which took place in the sumptuous setting of the Musée Dapper, BlackMap met the One of the most famous black actors Danny Glover!

Can you explain to readers BlackMap your reason for visiting Paris?
I came to Paris for the film by Abderrahmane Sissako, Heremakono, "Waiting for Happiness". That said, it's always nice to come to Paris and a great joy for me to meet directors and black artists to exchange experiences with interesting people and regenerate our energy. Why Paris is really an appropriate place.

You enjoy the French capital?
Whenever I came to Paris during the past 20 years I have met artists of African descent who were a great source of inspiration. Seeing their work and exchange our experiences is a real pleasure.

You have received many awards and you were the guest of honor at the Cine Club Cinema in Africa and the Caribbean. What is your reaction to the attention that it takes you?
Cinema is a medium to express ideas and reveal our humanity. The film is a way for me to express my understanding of what is happening in Africa. African cinema, whatever the origin of the film - Ghanaian, Senegalese and South African ... - was for me an introduction to issues of concern to my contemporaries living in Africa.

You're a great actor black American in the line of Sidney Poitier, those players who have helped to shine the black actors in the world. If you were to take stock, what conclusion do you arrive?
I owe my fame to an international film Lethal Weapon. Its success enabled me to know what I really wanted to do in the movies. I could put my talents to another kind of cinema. But you see, I'm thirsty for knowledge of the African world that I'm not afraid to say, I do not know. I still want to learn from the experiences of others. And for me, movies can share these experiences.

Cinema is not just entertainment?
Cinema is not just entertainment and it also can not be reduced to this. As a descendant of Africans, I ask myself the question: "How can we build through the various stories of film directors from Africa? .

What do you think of these projections Club Cinema in Africa and the Caribbean held at the Musée Dapper?
is essential. This is another way to maintain and develop dialogue. Because we all recognize the need to come together around these topics and discuss. Everyone talks about the information superhighway, cultural diversity, cultural democracy, ... it is therefore necessary that we too, we contribute to all including our meetings. We can not afford to be outside this process.

You are a member of the Jury FESPACO this year, how did you receive this honor?
is very exciting and an honor Jury to be part of Fespaco. I owe my involvement in this festival for many black artists who worked before me and have it all. I think Sidney Poitier, Harry Belafonte ... I have great appreciation for everything they did. Without them, without their talent, I will not be there.

You are very famous and erudite regarding black history, what you can bring to African cinema?
I can only bring my respect, my thirst for discovery. In fact the question is rather this: how can we share our different views Africa.

You played in 2000 in a movie directed by Cheikh Oumar Sissoko beaten. How did you meet?
We met there are 6 or 7 years at a festival. He offered me a role in his film and I accepted immediately.

some rumors about the fact that you'd play in Lethal Weapon 5. True or False?
(He opens his eyes wide, as if surprised by this question) (With a broad smile) is false, is only a rumor.

You are very active in the struggle for human rights, you also occupied the Embassy of Sudan in this case. What does this fight mean to you?
I am a citizen like any other. From a very young age, when I was a student in the late 60s, I've always been very sensitive to these problems. I read a lot Aime Cesaire, Kwame Nkrumah, Leopold Senghor. I always had a deep sense of social justice.

Finally, a quick note to readers BlackMap?
Wherever you are, accept yourself as you are and be proud of your origins. Danny Glover, currently on screen in "Saw"

How Much It Cost For A Drivers License

Abderrahmane Sissako: In search of a stallion who comes from everywhere!

BLACKMAP

04/02/2005

should never neglect the symbols, we are fifty years later after the first turn of the handle of African cinema, within weeks of opening XIX th Fespaco and a few hours of the first Cine-Club dedicated to cinema from Africa, the Caribbean and the American Diaspora. We had the pleasure of getting to know the director of Waiting for Happiness, "Waiting for Happiness", the Mauritanian Abderrahmane Sissako. He not only gave us his views on African cinema, but he also took the opportunity to give us a lesson in cinema.

Who is really Abderrahmane Sissako? He is a man of course. It starts from Mauritania, Mali's hand, he left the Soviet Union and it happens France, including Cannes. The hardest he has accomplished at the age where teenagers prepare the pan: take the decision to leave. "The geographical journey is much less difficult than the decision-making that trip that we saw before," he says. This slender man, who carries both the robe, hat from the tie, always wanted to go, no matter where and how. This is the story of a boy born in Mauritania, high in Mali, to whom a scholarship has allowed one day to go very far from Africa to study film in one of the schools most prestigious the world: Moscow VGIK. The boy Kiffa became one of the greatest filmmakers of Africa, it has simply become a great filmmaker. Who, at this moment, is working on writing his new film.

What do you think of all these initiatives, like those of the cinema club dedicated to cinema from Africa, Caribbean and American Diaspora?

We will not complain. That makes a fact. It is a welcome initiative, as whenever individuals or institutions create an opportunity for the work of filmmakers and craftspeople SSA is exposed. It's a small gesture, but one giant leap for mankind. This at least shows that there are still good will who care. It's a great idea, work hard and be initiators long, especially if this film club wants to attract other people believe that insiders and reaches a wide audience. In any case, all the evil that I could wish them.

That is for you that your film is opening this first film club ?

is pride. It begins in Paris have places of visibility of African creativity. This satisfaction is tarnished by a general lack of African cinema on French screens while much of the population belongs to this culture. So every time there is an opportunity that is created, no matter how small it is a godsend. However, deep inside me mingle also a little confused feelings such as fear of being stationed in places such as the Musée Dapper and simultaneously a desire to see the movie opening to a wide audience, which remains the ultimate goal of any filmmaker. That's all for you to say I'm happy but I still fed large questions.

Thus, the absence of black or African films in large rooms leave you wondering. Where do you find the real problem, if there?

can not see this as a problem, but instead may try to make a statement. What statement? I can not really tell you. But first analysis, I would say in the movies, there are several trades. To simplify, there are no real limits between the different bodies of art. Very often, we confuse the work of filmmakers with the distributors.

Developers are often forced to lug around from festival to festival to sell their film. To do this they must make their own strategic choices: to show their film in Africa or canvass in Europe, or vice versa. We forget that it must be the job of someone else's work wear, do not focus on any one person just because it's supposedly his project. She, alone, can not be implemented until the end.

To achieve this requires that the chain actually exists. So if we can speak of a problem in the visibility of African cinema in the West it is at this level. The chain, when it exists, is low. And if he had put his finger on one of these weak links, it would be first at the distribution level, although they are the linchpin of the film.

In order to distribute a film must be convinced of its contents, be sensitive to its message and want to share it with others. Now when you do not want this, this sensitivity or ability to fight for a movie, what else does it?

Why distributors are not lining up more? Is it relative to the quality of African cinema, or simply because it does not fit into the business logic of these institutions?

For my part, many things are missing. Already, we must deepen the debate on North-South: What is really the nature of the relationship between these two cultural entities? There is still a dominant position and dominated.

The problem is that nobody wants to take this reality when things are yet clear. Simply say without falling into cliches of perpetual claim by trying to rewrite history. What is done is done, it is also the cultural heritage of the peoples of Africa and the West, where they are.

Without repeating this common past, we should just ask the problem of ambiguous perception that the vast majority of Western Africa. Why does Europe always spanned the continent culturally so close to her to go to Asia, more distant? It is therefore necessary to discuss and inform the two nations to abolish the existing misunderstandings. Only thus we come to really tell Africa that is singularly unique and we will stop marginalizing it. Only from that moment they arrive to share in diversity.

To hear you, you look through your work to break with the marginalization caricature.

Listen, it's too easy and even easier to position this and to trumpet that way "I leave the ghetto." Of course, it's a good speech that suits everyone. Yet things are more complex. I, for example, I always chose themes that are part of my story. I try to treat them in a way far more open. I do not have a monopoly on my journey, it belongs to a lot of people on this earth.

Every desire of creation is first a willingness to share with each other, so try to correspond with him somehow. Can not get away and lock myself in creativity, I open myself to everything and everyone.

Let's talk about Fespaco. You are the Stallion Yenenga title. That much did he bring?

Honestly, this award is a unique experience, he brought me a lot and I unable to attend the largest gathering of African cinema. Regarding competitiveness, I can not say anything. It could have been someone else. Also noteworthy is that today no other prices do me much filled the stallion, because initially my work was suffering from a disability. Some criticism had decided that I was doing movies elsewhere. What she did not know was that this same film is not popular in Europe. It simply forms of creative proposals to give another reading

As we speak Fespaco, African cinema is celebrating its fiftieth anniversary. Can you tell us about the moments that you have made the history of cinema?

I do not know if it is really necessary to talk about fifty years of African cinema. I subscribe to the logic of Baba Hama one should speak of a departure which, needless to say, is quite arbitrary. I do not say that we should not celebrate them. Because today, you have to look back and draw up a balance sheet.

And this record, I come out a pathetic statement. I do not judge the quality of the works, far from it. I talk more about the lack of production. Because after fifty years of existence, there are still countries in this continent that make a film every ten years or who have not yet occurred. If we could we avoid self congratulate or celebrate our complacency, it would be a good thing.

So if the past fifty years can serve as a mirror to the future by encouraging questions like "What happened ? What worked? What went wrong? Why is this African art he marginal? What are its brakes and means to implement its development? "We will perhaps see more clearly. If concert, audience, artists and policies make this analysis, this part of the continent's history would be fairer and to honor him would be proud.

What movie made you the most? Could you rank your top five African films of this half century?

(Laughter. ..) I prefer in this case include authors rather than movies. And arbitrarily, I would start by Moustapha Alassane and his first Western Africa: Return of the adventurer; also all the work of Ousmane Sembene is quite important in my conception of cinema, then disorder would Souleymane Cisse, Idrissa Ouedraogo and Alain Gomis.

You know your question is a trap, because even a list of ten or even twenty films would not have settled. I love all styles of cinema, and the work of my contemporaries.

prognosis on your successor?

There, you're asking the impossible. Despite all my efforts, I could not. For cons, I think we should look more towards South Africa. It is a cinema that is back, in addition to all the facilities available to it, is the only African country where the will to undertake in this area is real. With a dozen films shown at this year's Fespaco, there is the matter. So I would just like in football, the best man win!

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MAHALEO: Legend under fire from the ramp ...

BLACKMAP
14/02/2005

More than a movie , Mahaleo which traces the history of the Malagasy people, is a breath of freedom, independence and autonomy. Spotlight on work that is an invitation to visit the great red island.

With its 590 000 km2 and 5,000 km of coastline, Madagascar is one of the largest islands of Borneo and the world after Australia. This destination, hitherto untouched by mass tourism, can not stay away today.

We tend to be outside the African continent. Wrongly. Situated in the Indian Ocean, not far from the archipelago of the Comoros and Mozambique, the island is the link between Asia and Africa. Time seems to be suddenly it stopped. A feeling of stagnation prevails. At least this is reflected Mahaleo the Feature Film - 102 minutes - Raymond Rajaonarivelo and Cesar Paes.

Little known abroad, because, by choice, they never wanted to leave the country preferring to stay and fight there, they made a lasting and deep history the song and the country.

Mahaleo, "free" in Malagasy, is the name of a legendary group, who was the leaven of the uprisings in the island for about thirty years. For those who already know the two filmmakers, Mahaleo is a continuation of their work. Neither light nor color, nor the drawings, very often tight, not left to chance.

Everything is carefully orchestrated. According to them, is the result of long nights of discussions. And for good reason, it was necessary to treat the subject lightly. In this vibrant road movie, the authors lead us into a forgotten paradise, they try to open our doors shade. This album is an invitation to discover and visit the many facets of the 5 regions of this vast island, which still contains the many mysteries. Thus "Tonga soa" ("welcome" in Malagasy), could also be the title of the film.

The decor and the staging of this "dramatization" of the Malagasy company offer different viewing angles. For evidence. At the back of the stage, two heroes. First, to honor where honor, a group of seven extraordinary musicians - surgeon, sociologist, farmer and political - that appear as mere eyewitnesses of a reality under construction. As stated in the poster, the latter shares the lead with another protagonist: the Malagasy people.

Both spectators and players, each other and give themselves, in turn, reply. This exchange forms the plot of the film. In reality, the people who is the lead actor, since he alone plays simultaneously a double role of actor and spectator. The film traces the story. The Malagasy people has built up over centuries by successive waves of immigrants from various backgrounds and cultures. Over time, these communities have formed multiple into a powerful independent kingdom. In 1886, the island became a French colony. In 1960, she obtained her independence.

The political history of this country is unusual and unique. In fact, Madagascar has experienced all types of regimes imaginable. However, the Malagasy people daily, up to 80% of farmers has not changed. Where is Madagascar today? Or rather what is the path traveled by the people? What is the question sought to answer the two filmmakers.

The shooting coincided with the election and the advent to power of Marc Ravalomanana. But, as you will see from seeing the film, the two talented associates have maintained a safe distance with the news, they remain mere observers of history in the making. For this distance, they proved they were men of culture, whose mission is not to interfere in the political field, but to shed light on the events to promote understanding and articulation springs.

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nineteenth FESPACO, from 28/02 to 03/05/2005: the appointment of African cinema ... DEAD PREZ

BLACKMAP
01/28/2005

"We created FESPACO and FESPACO brings us ..." said a wise man to After the press conference last January 20 at the Forum des Images in Paris. When the lights come on the Biennale of Ouagadougou, African cinema turns 50. We can say, without a shudder of shame that this film still inexperienced naive style is looking for, yet we could not deny its pool of talents. BlackMap his way to celebrate the seventh African art. Until the end of this appointment, we will try to reconstruct the chain African film highlighting men and women who make up the mysteries of this art. To do this, directors, actors, in short all the links in this chain will take place each week to talk about their craft. The first to get on our boards is just the latest winner of the Stallion Yenenga Abderrahmane Sissako ...

The Panafrican Festival of Cinema and Television of Ouagadougou be held for the nineteenth consecutive year from February 26 to March 5, 2005. This rendezvous of all lovers of cinema was created in 1969 at the initiative of a group of moviegoers. Given the enthusiasm and hope generated by the public and filmmakers from Africa and the diaspora, its institutionalization intervened three years later.

It will take three editions for the current format of the festival. At the sixth edition, it became biennial, beginning the last Saturday of February every odd year. FESPACO, whose acronym is a map of Africa red on yellow, barred by a roll of film and having a camera on his left black, is the largest film event in the continent.

Despite his young age and limited means, FESPACO not be ashamed to face other appointments of the same type. Over time, he gained experience and efficiency to the point of means to acquire attractive and consistent. Apart from the biennial festival itself and the competition reserved for films made by African authors that accompany it, also stands Marketplace International Film and Television Africans (MICA), but also an exchange of television programs on African and African (16mm, 35mm, TV and video) available to all film professionals.

And, finally, the creation of the African Film (film archives, databases and mobile cinema) and publications on African cinema (catalogs, Fespaco news, Fespaco newsletter).

should not believe that the Biennale is a commercial event, soulless nor humanism interested only film professionals. Mr. Baba Hama, Managing Director of the Festival at Press Conference at 20/01/05 the Forum des Images in Paris, was very well explained. Although this institution has clear objectives, such as promoting the dissemination of all the works of African cinema, allowing the contacts and exchanges inter, promote African cinema in international film festivals, it remains in the service of black people to help the growth, development and preservation of cinema as a means of expression, education and awareness.

Thus, film screenings are scheduled nonprofit towards rural areas in partnership with NGOs, associations, schools and other public and private institutions. Are also organized various events film: film weeks, movie previews, etc.. This spirit and desire to democratize themselves explains the theme of the 19th FESPACO: Education and Challenges of Professionalization. This great design begins with openness and information.

All is not perfect, there is still some way to make and projects to be undertaken. The new team does not miss the Festival. Some examples of current projects: the creation of an African film chain where each link will take its role and assume its responsibility, the establishment of a permanent film market, strengthening the database on African Cinema and Finally, the construction of the permanent seat of FESPACO. We wish them good luck and good luck!

Christian Thank You Quotes

: a black panther finally serien ...

BLACKMAP
14/09/2003

With "Public Enemy", they are THE hip-hop made in the USA who with texts politically incorrect fight for awareness. Followed by the interview, an unpublished document signed by the singer himself. To you, Internet, to find out by clicking here! Went to meet an "African consciousness", I found a young man, eternal fighter, calm, although in his life and in his sneakers. A few minutes of patience and appears before us, M-1, accompanied by his assistants and Mbegane Ndour, the proponent African Consciences. He crosses the lobby of the hotel like a cat. His radiant smile makes me immediately at ease. You say I was anxious, it would be an understatement. I'm basically speaking, quoiqu'anglophile amateur. Also, the motto "African revolution" (african rising) with someone who bathes in this concept since her childhood was not a foregone conclusion, put yourself in my place! "Do not worry, I'm happy! Today's youth are not sufficiently familiar with the struggles freedoms for black sixties. Although some claim it, really know the subject? We must therefore address this. " The tone is set, I am reassured. It does not take me rigor. Here we go ...

BlackMap: If I asked you who you are?

M-1: I am 31 years recently and I'm M-1 to the middle, but in truth, few people Mutulu know my name. I know for a fact where I come I come down from the motherland, Africa, like all people of color. Sorry, but I've always lived in the USA.

About Africa, there are you already gone?

Yes, of course! We were in South Africa and Botswana. We hope very soon we will travel to West Africa, specifically in the Gambia, Senegal and Nigeria, where we are invited by friends.

Would you like Marcus Garvey advocated a return to routine for all blacks in Africa?

I think what he says is its importance today. The United States of Africa is the inevitable solution. This is an incredible force! My brother can imagine, all blacks throughout the world, back on mother earth. Each with their skills, knowledge and ability to serve for the construction and production of the continent. You can imagine how we could represent ? The first power!

I say Africa, what comes into your mind first?

What I see is the promised land of Eden. At the same time, I can not forget slavery, colonialism, wars, famines and diseases that are decimating populations.

Now about Dead Prez. How did the group, where do you get that name and what does it?

(He thinks) If I remember correctly, it was over sixteen. You know, it's very hard to be Black in the USA. Sticman, my partner and myself, for many years, we had a course of activists who led us to travel extensively. In these travels, we followed the precepts of Malcolm X, Marcus Garvey and other leaders of the Black Revolution. Next, we studied this extensively and completed this training revolution in the social sciences and the study of our true history.

Only after that we decided to put our energy into our control and therefore our musical inspiration. This is how Dead Prez was born, my brother! This name, we did not find it was he who found us. It originates in the essence of our motto. We meet near death. We are fighting for mere necessities, food, clothing, shelter, short, respect.

We are aware that the outcome of this battle seems dead ahead. It means, literally, kill the destructive power. That means removing the chairs and oppressive governments and oppressive, first Bush and his team.

Talking African Consciences and your cooperation with Mbegane N'Dour ...

For me, it's not just a deal. It is a social and political project that provides around the world, from Jamaica via France, Great Britain, Mali and Cameroon, a real power base in Africa through music. In African Consciences, we must remember one question: "Who are we? . This is the main idea.

How did you meet with Mbegane N'Dour? And what did you like this project?

Two years ago or so, he came to me in my house in Brooklyn, it's not a joke. Do not they say that great minds think alike? (Laughs) We had mutual friends. They put us in contact. After everything was done naturally.

This project was bound to seduce me. The message, "Africa for Africans" and that they become aware, was far beyond my expectations. It corresponded to what I aspired. Also, to see the other participants, I could not be better.

( The TV shows over the American Jerome Young, the new world champion in the 400 meters kissing his medal. He smiled proudly, but displays a weird mine . I would )

Do you think the black American athletes of today can still express their demands ...

( He will not let me finish ... and laughs) You're a vicious! You mean Mexico? Without being bad language, they can not. They can not until they joined the African Consciences. This is important for all of us here in France, USA, Africa. We must study the African Consciences, the African revolution, we are athletes, artists, journalists, etc..

Forty years after the death of Malcolm X, Martin Luther King and other prominent figures, what lesson did you learn from their struggle? What would be your message?

First, they have not disappeared. They are still there (he touches his heart), inside of us. Their heritage, organization, determination and the connection between all blacks in the world should we serve today.

We must study the past we will not comply. He must serve us instead of locomotive and allow us to build our own future. I have only one message, blacks should create their own leaders and, as we feel oppressed, to Malcolm X.

We must remain in place and well soldered. For example if Black French engage in the revolution, those of the Americas should be able to help them. It is the internationalization of Africa that is to say Black's is the goal advocated by African Consciences.

Are there other African personalities who inspire you?

Of course! Captain Thomas Sankara. What inspires me, Wow! Like Patrice Lumumba, Sekou Toure, Kwame Krumah, the real revolution of mother earth, awareness, self-determination ... Dignity.

Finally, if I tell BlackMap?

With such a name - you can ask Mbegane - I wanted to meet you. For me it is not just a media. You know, our people are everywhere, do not forget. We must learn to leave his country, learning to part with them because your feet can take you where a heart, a conscience may be telling you to wait.

is this onerous mission is yours, and our people, wherever they are, must find his lantern to guide him and show him the way to the promised land. You are the vital link connecting ...

Card Verse For 21 Year Old

HEAD: the image of the mestizo cultural

BLACKMAP
14/12/2004

M is p Remi looks roots attitude, authentic and disillusioned, as we like to Young side a trifle shy anxious and bohemian, more like a student of literature as a star, my second, dreadlocks and big retro glasses black for the lazy side of the black-thinker but look out, it does not belong to the family of "wankers". And my third, a head full of songs and melodies full fingers. My everything, a young man any more unknown-become the main objective of Epic in 2001 in the right thread of what has preceded : To occupy the center stage, which was confirmed on 16 / 12 / 2004 at the Zenith in Paris.

Who is he?

Tete-guide Wolof name that comes from his godfather, Casamance was born in Dakar on 25/07/1975. At a time when the draft of the High Authority against Discrimination happens to the French National Assembly and that opens the debate on diversity, the young artist is a leader in this fight because it is the materialization of the third generation to be considered right or wrong-like mutt, the mongrel culture or simply "non-identity."

To listen to his songs, yet it is believed guess an evocation of belonging, whisper a reminder of his roots, blowing the pace of his childhood, he does is nothing, it is even exactly the opposite. "I do not claim anything" he likes to repeat, it is on the road, a journey itself. Despite his size and color lord of Africa, it has very little to do with Africa because of contact with the black community (Afro-Caribbean).

He comes from nowhere, a Senegalese father and a mother Caribbean, built between the South East, Bordeaux and Saint-Dizier, a town industrial, gloomy and sinister, speaking neither Wolof nor Creole, he feels both abroad and at home everywhere. Nevertheless, his mother a doctor, a good woman, without cutting its offspring of their origins, are sent on holiday in Africa and the Caribbean gives them an education and therefore under the influence Miles Davis, John Coltrane, Tom Waitt ...

So you could easily believe that he is a wild boy. Now it just carefully cultivated the art of erasure. Les Halles in Montreuil, neighborhoods that likes to roam, perched on his scooter, it blends perfectly with the decor.

The beautiful story

At sixteen, he plunges into music by an unfortunate combination of circumstances. Each legend has its dose of anecdotes, such as Julio Iglesias, the beautiful story begins with an accident and a plastered leg a few days before his birthday. What would be a bummer was the trigger. He received a gift of a acoustic guitar which became his only companion during these dark hours.

Perfect self-taught, apart from some reminiscences of his courses in violin and music theory at the age of seven or eight years, he began some "compound" and form a group with friends from high school .

For this gifted, the region that foams with his band quickly became cramped. After a tank and three B years of graduate studies at the University of Nancy, he took a sabbatical-why? - "The air of nothing and thirst to discover!

This beautiful story of Nancy Street recording studios like, "the air of nothing," a fairy tale version of the twenty-first century, it could also be reflected in the stories of Salinger , Kerouac ... those travelers who have, brilliantly evoking the fascination of the road. Because after scouring the bars of his region, Tete down in Paris where, despite moments galley, it holds up through the "scratch".

This period of maid's room and "scratching" it left a taste for poetry kitchen with Anglo-Saxon influences. When we find clear and catchy melodies, blues guitar, folk and soulful voice, it is believed first to have heard somewhere, actually on the side of the Beatles or Bob Dylan.

To those who imagine it all mad and crazy, living in a dilapidated squat and making the rounds of bars interlopers a firecracker in his mouth are sadly mistaken. It is not a party animal, but rather a loner who spends his time playing music, reading, writing, drawing and cooking.

And those who, for their happiness, they heard an unreleased masterfully interpret, Redemption song, do not miss the stamp to the urban legend of the early Third Millennium: Black Cool prefabricated in a lab at the Plaine Saint-Denis PROMOTE.

This would be a cliche. It has nothing ufo a marketing image reworked. Above all, it's a true artist. With his dreadlocks and his glasses back, Tete excel with its simplicity. The frank smile and easy touch, his strength, undoubtedly comes from his contact with the public he went to see a closer look. The scene, he knows it to and fro. It has not locked up in a castle in Dammarie-les-Lys or applied for a breakthrough star, with his guitar slung over his shoulder, he has toured his bowler hat in the hexagonal bar to build his tower of song and install repertoire (since 1998 more than 180 dates the counter). It immediately shows that it does not take the lead despite his meteoric ascent. He knows where he comes from and remains lucid.

Teck Deck Games To Play

Aimé Césaire: seething mad mind.

What can I say about Césaire? A portrait, but which one? A portrait of politics, literature? A portrait of yesterday, today? An overall picture in time and space? Yes! I will opt for the latter, however, aware that such business is perilous. From Asia, Africa through Europe and the Americas, the great poet of universal is as famous as Victor Hugo and Marcel Proust. Nevertheless, France's reputation - before his funeral on media - has struggled to overcome the circles of amateurs.

Redefining
myth ... I will not pretend to portray plausible, I would just like one. A man like Césaire multifaceted dimensions: geographical, historical, ethnic, both public man and private man, poet and playwright, political and citizen requires a surrealist portrait, one capable of embracing a different look aspects of this myth.
On 26 June 1913, the sun above the Low Point - common north-east of Martinique - is a harbinger of good news. Mr. Césaire, official supervision of the contributions (taxes), son of the first black teacher in Martinique and grand-son of a slave condemned to death in 1833 for plotting a revolt, just had a son, Aimé Fernand, David. The grandmother of Aimé Césaire, unlike many women of her generation, could read and write, it initiates early grandchildren reading and writing. From his tender age, young Aime demonstrated a keen mind extraordinary. At age six, he returned to Basse Pointe Elementary School; diligent student and worker, he earned a scholarship to eleven years for high school Victor Schoelcher in Fort-de-France. His baccalaureate, he is naturally left Martinique. He arrived in Paris in Hypokhâgne class at the Lycee Louis-le-Grand. On the first day he met Leopold S. Senghor, with whom he formed a great MITIE.

Negritude: an insult, workhorse of the oppressed ...
Between the World Wars, the French population is fond of exoticism. In 1931, it was the Colonial Exhibition in Paris. The young immigrant discovers what was called the old continent, but above all he meets Africa and oppression. Negro a loud cry for the foundation of the world are shaken so now the project that controls the life and work of neo-normale. Initiated by Leopold Sedar Senghor, the young student attends the black intellectual community. He finds Leon Gontran Damascus - old friend from high school Schoelcher. With his friends, he launched the journal Black Student, and founded the journal Presence Africaine base of blackness. The
Legend has it that Césaire was the victim of a racial slur. Then he turned the "dirty negro" in horse battle for the oppressed. In The Notebook of a return home, his major work, he explains his flagship concept: Negritude. This poem is a long dive to the depths of bad faith and racial oppression in order to conquer the pride of being negro. He celebrates blackness through images triumphant. The word "negritude" is coined to restore dignity to those who never speak.

From words to action ...
Agrégation in École Normale, Aime Cesaire returned to Martinique in 1939 to teach for five years at the Lycée Schoelcher. In 1941 he founded the magazine with his wife who tries to maintain Tropics in Martinique during the years of wars, a word of freedom and cultural resistance. Four years later, at the end of the war, the poet of the oppressed is caught by the policy. Cesaire, then thirty-two, was elected in the communist movement Mayor of Fort-de-France, Martinique and member of the National Assembly, mandates that he was constantly reelected, he will sit 48 years as an MP and mayor of Fort-de-France for 56 years. At the Palais Bourbon
- National Assembly, it is one of the architects of the voting status of departmentalization for Martinique and other former colonies, the famous Dom-Tom. The outcome of this struggle is embodied in the Sermon on the settlement. In this pamphlet to the caustic humor, it makes the process of European civilization patient colonization. In this debate, Césaire opposes nostalgic for the colonial order established.

Young, refuses the oppression of the insult ...
Bold Martinique poet encourages youth to become one. This great humanist spirit free and independent, in which recognize all those who struggle for the emancipation of peoples, bequeathed to future generations a leitmotif inalienable: Resisting oppressive insult.